 Line 6 Roto Machine Module (99-041-2201)
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Line 6 99-041-2201
- Classic Rotating Speaker Sounds
- Stereo inputs and outputs
- Three Huge Sounding Models: 145, L16, and 122
- Unique Tap Tempo with Selectable Ramp Time
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If you same stompboxes in the opinion of limitless tonal options, check out come out the extremely acclaimed ToneCore personal effects at present uncommitted as modules and ToneDock stompboxes. With ToneCore modules and docks, you tin easy and inexpensively spread out your personal effects armoury at whatsoever clip.
 Line 6 Constrictor Module (99-041-1601)
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Line 6 99-041-1601
- Adjustable sustain
- Three versatile compressor models
- Adjustable Gate Control with Dynamic Low Pass Filter
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 Line 6 Tap Tremolo Module (99-041-1501)
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Line 6 99-041-1501
- Stereo inputs and outputs when used with ToneCore Stereo Dock
- Includes Tap Tempo
- Adjustable Peak setting for Dynamic Speed Control
- Three tremolo choices: Opto & Bias, plus Stereo Panning
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 Line 6 Liqua Flange Module (99-041-2001)
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Line 6 99-041-2001
- Stereo inputs and outputs when used with ToneCore Stereo Dock
- Classic, Modern & Experimental Flange Tones
- Unique Pass-Thru-Zero Options
- Three Massive Sounding Models: Digital, Liquid & Analog
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 Line 6 Space Chorus Module (99-041-1701)
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Line 6 99-041-1701
- Three models, based on analog tones
- Stereo inputs and outputs when used with ToneCore Stereo Dock
- Adjustable LFO shape
- Includes Tap Tempo
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 Shure A15HP High Pass Filter 100Hz, XLR-F/M
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Shure
- Connectors: Designed to mate with Cannon XL series, Switchcraft A3 series, or equivalent. Input: 3-socket connector. Output: 3-pin connector.
- Impedance: Designed for 150 ohm rated microphones and inputs
- Distortion: 2.5% maximum (100 mV input, open circuit output)
- Frequency Response: Flat above rolloff point (100 Hz); -0.5 dB maximum at 1 kHz
- Dimensions: 19 mm (3/4 in.) diameter; 114 mm (4 1/2 in.) long
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This filter rolls turned low-toned sound frequencies to cut 60 Hz electrical seethe, low-frequency curve interference, broadcast conditioner interference, or stand- and floor-transmitted low-frequency vibrations.When loaded through a low-impedance mike input (800 ohms or more), the rolloff is 12 decibels by means of musical octave infra 100 Hz. When loaded upon 150 ohms, the rolloff is 3 decibels at 100 Hz. The yield is monotonic to a higher place the rolloff repoint (with a upper limit red of 0.5 decibels at 1 kHz). Case: Full magnetised screen, nerve in contrast with gy tooth enamel goal.
 Behringer FBQ800 MiniIFBQ 9-Band Graphic Equalizer with FBQ
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Behringer FBQ800
- High-quality illuminated faders, potentiometer and illuminated switches for long-term reliability
- Revolutionary FBQ Feedback Detection System instantly reveals critical frequencies and can also be used as Audio Analyzer
- Ultra-compact 9.5" graphic equalizer for studio and stage applications
- Accurate 6-digit LED Input/Output meters and Level control for precise level indication
- Additional Low Cut filter removes unwanted frequencies, e. g. floor rumble
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Ultra low-noise sound operating amplifiers offer up owing go public presentation * All Mini Series models put up be stacked on top out of apiece other to make an ultra-compact sign processor root * High-quality components and exceptionally tough twist make secure drawn out lifetime
 Line 6 Otto Filter Module (99-041-2101)
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Line 6 99-041-2101
- Mono inputs and outputs
- Vintage Flavored Envelope Filter Effects
- 3 Amazing Models: Band Pass, Low Pass, and Twin Filter
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 Line 6 Uber Metal Module (99-041-1401)
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Line 6 99-041-1401
- Metal, Pulverize and Insane distortions based on Line 6 High gain tones
- Built-in selectable noise gate
- Scoop control for massive tonal contouring
- Stereo inputs and outputs when used with ToneCore Stereo Dock
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 Line 6 CrunchTone Module (99-041-1801)
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Line 6 99-041-1801
- Three warm, full-bodied overdrive models: Blues, Pop and Overdrive
- Models based on classic power tube overdrive sounds
- Simple (yet versatile) tone controls
- Stereo inputs and outputs when used with ToneCore Stereo Dock
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