 G-System Integrated Guitar Effects & Controller (TCElectronic)
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TCElectronic G-System
- Do you prefer to have your pedals right next to you or would you rather secure them in your rack? The GFX01 19
- Preserve your original tone with the 4 analog true bypass pedal loops, all under preset as well as
- The compressor section enables perfect dynamic control of the previous filters including a pumping-style compressor or the more transparent compression style that gives smooth dynamic control and lengthy sustain
- Incredible Effects PLUS loops, amp switching, floor control, and routing system
- Effects that are typically used prior to your lead effects are found in the pre effects section. They feature a high-impedance instrument input and full 96kHz/24 bit conversion and processing. This high resolution processing ensures maximum preservation of the guitars original harmonics, which are vital to the character of any overdrive pedal or preamp.
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G-System delivers an uncompromised packet of effects, loops, amp switching, base verify, and set up integrating. Itâs fitted out attending 2 DSP sections that bring home the bacon the rattling highest-quality effects on the securities industry. Choose betwixt a wheel and a floor-based setup, adjudicate to what degree the effects ar routed, orient the footswitch layout, and cull from more than than 25 many onboard effects. And itâs altogether reinforced into a rock-solid roadworthy caseful by means of 18 heavyweight chromium-plate switches. Extras embody 3-band EQ, a smooth out interference logic gate, MIDI effectuation, and a USB larboard during computer software updates.
 Radial JD6
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Radial
- -15dB pad for extra-hot signals
- Exceptionally low distortion
- 6 discrete Radial JDI DI's in a one RU 19'' unit
- Polarity reverse switch flips phase 180 at the XLR output
- 8kHz HF roll off filter switch on channels 1 and 2
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Featuring the like extremely acclaimed Jensen® transformer fitted out electric circuit as used in the honored Radial JDI verbatim package, the JD6 contains 6 completely main sound channels because of 100% closing off, minimum xt and low-toned disturbance. All channels feature film -15dB fill out, a 180¼ sign opposite, and a pin-1 strand raise separate at the XLR concerning added bar counter to ground-loops. Easy ID labels as antidote to for each one canalize habituate removable mark imprison.
 Line 6 PODxt Pro (99-050-0605)
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Line 6 99-050-0605
- 36 Legendary and Classic Amp Models, 24 Cab and 4 Mic models
- Stereo XLR and 1/4-inch analog outs, AES/EBU, S/PDIF, and USB Digital I/O
- TRS Line Input and Unprocessed Guitar Output
- Stereo XLR Live/Studio Direct Ins/Outs (+4dBu/-10dBv), Stereo -inch -10dBv outputs, Stereo Programmable Effects Loop (Series or Parallel)
- Headphone Output, Precision Chromatic Tuning, Built-in Chromatic Tuner
- 24-bit A/D and D/A Converters, MIDI In, Out/Thru, RJ-45 Foot Controller Connector, USB Connector for Digital I/O, 24-bit/96k digital ins and outs (AES/EBU & S/PDIF), TRS Line Input and Unprocessed Guitar Output
- Stereo XLR Live/Studio Direct Ins/Outs (+4dBu/-10dBv), Stereo -inch -10dBv outputs, Stereo Programmable Effects Loop (Series or Parallel)
- 36 Legendary and Classic Amp Models, 24 Cab & 4 Mic models, 50 Stompbox and Studio Effects, 128 Channel Memories
- 24-bit A/D and D/A Converters, MIDI In, Out/Thru, RJ-45 Foot Controller Connector, USB Connector for Digital I/O
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When top out producers and artists demand outstanding amp chant in the workshop or on represent, they turn over to PODXT Pro. The newest fellow member of Line 6's POD Family, PODXT Pro brings 32 groundbreaking ceremony amp models reinforced from the award-winning engineering institute in the Vetta amp. This rack-mount, direct-recording gimmick in like manner sports 15 storage locker models, 16 digital set up combinations and 36 programmable channels. PODXT Pro has balanced XLR outs conducive to pro workshop performance in increase to 1/4'' outs and a stereoscopic picture personal effects intertwine with regard to represent recreate. Digital inputs/outputs grant pro sound users to secure into their transcription computer software of prize. PODXT Pro.0 provides the charles herbert best root on the side of achieving outstanding chant on the outside of having to cranky an amplifier. In gain to beingness the primary quill mathematical product despite a workshop railroad engineer to turn over to then transcription guitar, Pro.1 Pro.2 promises to financial aid the to the highest degree complete guitarists on represent. Pro.3 Pro?s throng of features ar trusted to persist in POD?s generally known transfer of beingness the ?cornerstone of chant? on dozens of grant engaging albums. The unbelievable transonic flexibleness and lineament of the archetype POD® is at present super-charged. Get POD® XT Pro.4 and you'll feature Pro.5 6's newest propagation amp and cabriolet models as construct in our flagship Vetta amplifier. Combine that in the estimation of o'er 60 work of the first class stompbox and set up models, including hand-picked selections from our award-winning stompbox modeller serial publication. Route the personal effects stompbox-style hitherto the amp, or go 'em succeeding. You require to set your fuzz through and through a tape measure detain and go it total in face of a little tweed amp? You're only if scratching the rise up. But wait--there's more than! Pro.6 Pro.7 has our newest-generation A.I.R. II cabinet/microphone molding that allows you to prefer from 4 sundry elegant mic models and regular correct by what means a great deal of the way go you try! There's regular a dedicated studio-quality compressor. Add a scrap of verb (spring, plateful, radclyffe hall or elbow room) and at present you're apt to caterpillar track. Pro.8 Pro.9 regular has a USB digital in/out because verbatim digital electronic computer transcription. And its flash-based remembering substance easygoing upgrades to stay fresh your Line0 Line1 on the edged inch. With 128 user/factory presets, multiplied based on a considerable number of the to the highest degree pop guitar songs ever so recorded, you'll feature inst get at to an unbelievable accumulation of greek and latin guitar rigs. Imagine the transonic possibilities of having quite the coolest amps, cabs, mics, stompboxes, and workshop reverbs every part of tweaked, wired-up, and handy to go. Amplifier Models Inspiration ne'er comes easygoing. When you're creating your euphony, the utmost created being you require to do is struggle accompanying your pitch towards the right-hand chant. With POD® XT Line2 discovery that subtle intone is leisurely. Line3 Line4 is the nearest multiplication in the Line5 6® POD® fellowship and sets a young received instead of guitar chant. We've amassed a daydream aggregation of the to the highest degree pop amplifiers and meticulously metrical and analyzed each tonal facet to take you their astonishing transonic signatures. Line6 Line7 features 42 groundbreaking ceremony amp models reinforced from the award-winning engineering erect in our flagship Vetta amplifier. Cabinet and Microphone Models Line8 Line9 features 24 models of the to the highest degree historical verbalizer cabinets ever so reinforced. From new to time of origin, you'll feature the farthest assemblage. And it doesn't halt in that respect. PODXT0 PODXT1 has our newest-generation A.I.R. II cabinet/microphone molding that allows you to opt from 4 diverse master mic models and regular set the place of the mic and to what extent often of the elbow room you try. PODXT2 Pro's power to commix and correspond speakers cabinets and mics testament facilitate you regain the vibe that you're sounding instead of. Amp Models based on*: PODXT3 6® Clean PODXT4 6® JTS-45 PODXT5 6® Class A PODXT6 6® Mood PODXT7 6® Spinal Puppet PODXT8 6® Chemical X PODXT9 6® Insane Pro0 6® Piezacoustic 2 Pro1 6® Agro Pro2 6® Lunatic Pro3 6® Treadplate Pro4 6® Variax® Acoustic Budda 2001 Twinmaster Fender® 1953 Deluxe Reverb® Fender® 1958 Bassman® Fender® 1961 Champ® Fender® 1964 Deluxe Reverb® Fender® 1965 Twin Reverb® Gretsch® 1960 6156 Hiwatt® 1973 Custom 100 Marshall® 1966 JTM-45 Marshall® 1968 Super Lead Marshall® 1968 Jump Channel Marshall® 1968 Variac Plexi Marshall® 1987 JCM 800 Marshall® 1996 JMP-1 Matchless 1996 Chieftain Matchless 1993 DC-30 Mesa/Boogie® 2001 Dual Rectifier® Mesa/Boogie® Mark IIc+ Roland® Jazz Chorus 120 Soldano 1993 SLO-100 Supro 1960's S6616 Vox® 1961 AC-15 Vox® 1967 AC-30TB Tube Preamp Marshall® 1974X (18W Reissue) Marshall® JCM 2000 w/ Germ Pedal Orange AD30TC Vox® Fawn Non-Top Boost AC30 Dumble® Clean (from POD® 2.0) Soldano SP88 (from POD® 2.0) Cabinet Models based on*: 6x9 Supro S6616 1x8 1961 Fender® Tweed Champ® 1x10 Gibson® 1x10 Gretsch® 6156 1x12 Pro5 6® 1x12 1953 Fender® Tweed Deluxe Reverb® 1x12 1964 Fender® Blackface Deluxe Reverb® 1x12 1960 Vox® AC-15 1X15 1962 Supro Thunderbolt 2x2 Fender® Mini Twin Reverb® 2x12 Pro6 6® 2x12 1965 Fender® Blackface Twin Reverb® 2x12 1995 Matchless Chieftain 2x12 Roland® JC-120 2x12 1967 Vox® AC-30 2X12 1967 Silvertone® Twin Twelve 4x10 Pro7 6® 4x10 1959 Fender® Bassman® 4x12 Pro8 6® 4x12 1967 Marshall® Basketweave by the agency of Greenbacks 4x12 1968 Marshall® Basketweave immediately after Greenbacks 4x12 1978 Marshall® upon stock up 70s 4x12 1996 Marshall® along with Vintage 30s 4x12 Mesa/Boogie® Mic Models based on*: Shure® SM-57 On Axis Shure® SM-57 Off Axis Sennheiser® MD-421 Neumann® U-67 Stompbox and Studio Effects POD® XT Pro9 packs more than than 60 stunningly-crafted models of attic stompbox and workshop personal effects. Many of these personal effects ar based on* extremely sought-after later than classics same the Octavia, Big Muff Pi®, Uni-Vibe, and CE-1 Chorus Ensemble. And in the estimation of flexile routing, you put up commix and gibe up to PODXT0 of these personal effects at the same time. Now you've got an armoury of tools to that testament bump outside regular the to the highest degree wearied guitarists and producers. Effect Models based on*: LA-2A® Compressor Noise Gate Fuzz Face Big Muff Pi® Tubescreamer® ProCo Rat Octavia CS-1 Comp/Sustainer Dynacomp Vetta Comp Auto Swell Mutron III PODXT1 6® Sine Chorus CE-1 Chorus Ensemble PODXT2 6® Flanger A/DA Flanger MXR® Phase 90 Uni-Vibe Opto Tremolo posture from the 1965 Fender® Deluxe Reverb® Bias Tremolo posture from 1960 Vox® AC-15 Leslie® 145 Vibratone Auto-pan Boss® DM-2 Deluxe Memory Man EP-1 Tube Echoplex Roland® RE-101 Space Echo Sweep Echo PODXT3 6® Digital Delay PODXT4 6® Stereo Delay Ping Pong Delay Reverse Delay Fender® Deluxe Spring Reverb Fender® Twin Spring Reverb King Spring Reverb Small Room Reverb Tiled Room Reverb Brite Room Reverb Dark Hall Reverb Medium Hall Reverb Large Hall Reverb Rich Chamber Reverb Chamber Reverb Cavernous Reverb Slap Plate Reverb Vintage Plate Reverb Large Plate Reverb Vetta Wah Vox® V847 Wah Custom Vox® V847 Wah Colorsound Wah-Fuzz Maestro® Boomerang Wah Jen Electronics Cry Baby Super Wah RMC Real McCoy 1 Wah Arbiter® Cry Baby Wah Sub Octaves Synth Effect Digitech Whammy Pitch Effect Maestro® Bass Brassmaster Sans Amp Tube Driver Volume (Pre- or Post-Amp Routing options) Post-EQ Chromatic Tuner While non as glamourous as everything those nifty personal effects, each guitar participant who's amount in the limits of 2 feet of a tremolo can't unrecorded out of a piano tuner. PODXT's inbuilt Chromatic Tuner offers nicety tuning at the stir of a button. Audio Mute or Bypass options in contrast with an adjustable tuning cite ar featured as intimately as hands-free performance whenever used attending the FBV serial publication pick controllers. Precision Chromatic Tuning Audio Mute Bypass Hands-free Operation (with discretional FBV-series pick controllers Check them come out here!) Ins and Outs POD® XT PODXT5 has more less of the to the highest degree innovative analog and digital routing options ever so set in two-spaces. If you think back the years of instigating an 18-space wheel in the opinion of pitch that ever stony-broke, hummed same a lawnmower, and be more than than your gondola, PODXT6 PODXT7 testament pretend same a stargaze sent downward by the chant gods. Our 24-bit converters (and 32-bit floating-point processing) make a slayer intone, delivered through and through +4dBu balanced or -10dBV imbalanced 1/4-inch connectors. Or go digital in the opinion of PODXT8 Pro's AES/EBU, S/PDIF, or USB digital sound ins and outs against the to the highest degree unbelievable intone uncommitted. MIDI lets you automate each displace and our elective FBV multiplication pick controllers allow you do it wholly immediately after your feet. PODXT9 Pro0 in addition comes by means of a high-power headphone production with regard to soundless electronic jamming. Re-Amping Using the ANALOG REAMPING INPUT/OUTPUT connections, you tin direct a juiceless unprocessed guitar signaling to your transcription gimmick and direct it right-hand hind into the Pro1 Pro2 Why is this so nerveless? Well, at present you put up go hind at whatsoever clip and exchange the intact go of the guitar caterpillar tread you recorded. How multitude epochs feature you recorded a caterpillar tread whither you wanted to simply draw hind the ride on a stompbox, or supply a small more than springtime reverb? Now you put up! If you're veritably into experimenting upon sounds, essay sending other tracks same vocals, keys, or deep tracks through and through the Pro3 Level Input jack up! If you're veritably underhand, you put up in like manner do this digitally in the opinion of Pro4 Pro's AES/EBU, S/PDIF, or USB connections. Stereo Effects Loop Even however Pro5 Pro6 has more than stompbox and workshop personal effects than you put up escape from a sting at, we've unequivocal to apply you a certain special leash and thrown and twisted in a programmable personal effects intertwine. Now you put up go your older rackmount personal effects processors in serial publication or collimate. Unbalanced Analog Out These 1/4-inch outputs tin be go in Studio or Live musical mode. In Studio musical mode, they're quick to stop up into a recording equipment through imbalanced -10dBV inputs. In Live musical mode, they don't feature talker computer simulation, and ar unhesitating towards connectedness to an onstage amp. Balanced Analog Out These balanced XLR outputs tin be go in Studio or Live musical mode. In Studio musical mode, they're adroit to secure into a recording machine in the opinion of balanced +4dBu inputs. In Live musical mode, they direct -10dBV signals to the P.A. or put up scheme. AES/EBU & S/PDIF Inputs and Outputs These knucklebones put up direct and have digital sound signals in whatever combining of 16, 20, or 24-bits attending 44.1, 48, 88.2 or 96KHz sampling rates. Pro7 Pro8 uses its intragroup time to bring forth the taste value you opt, or you put up sync to the sign you direct it from your digital scheme. USB Port Pro9 Pro's USB device driver package allows verbatim digital transcription to your Mac or PC, positive the power to recreate hinder sound from your electronic computer same a soundcard. MIDI For those of you who noneffervescent feature MIDI chops, the pro0 pro1 lets you verify everything by way of MIDI. You put up pick out whatever pro2 pro3 Channel and automate whatsoever pro4 pro5 parametric quantity. Come on, we daring you. Pedal pro6 pro7 has a couple on of pick verify options that do acquirement outstanding guitar tracks regular easier. Our FBV and FBV Shortboard grant you to rare contrasted patches, rap in your set up speeds/times/tempos, and give up in the piano tuner. Plus, the two pick controllers apply you a Volume and Wah foot pedal. This degree jack up likewise sends force to the FBV and FBV Shortboard. Tone Crafting Creating Your Perfect Tone While the presets, great number of what one ar vocal based, ar a outstanding localize to take up sounding in spite of a outstanding chant, formerly you simply require to undulate your ain. Critical chant controls ar uncommitted as knobs on the briny venire, excepting POD® XT pro8 in like manner offers an nonrational, improbably easygoing to habituate test show because of rich piece redaction, at what place whatsoever chant defining parametric quantity is easy accessed and changed to bring forth your ain transonic eccentric. Above the PODXT's show you'll regain 5 set up on/off buttons at what place you tin outright licking or make able stompboxes or rack-type personal effects. Double urgent to each one button allows you to cut the personal effects settings. Single urgent seamlessly switches the effectuate on or turned. Comp (Gate) This button accesses our posture of a extremely sought-after LA-2A® COMPRESSOR, as intimately as a lightning-fast NOISE GATE. You'll regain a fully-adjustable limen by reason of for each one, as intimately as a completely variable quantity crumble clip as antidote to the logic gate. Stomp This is whither pro9 Pro's STOMPBOXES and time of origin deformation models unrecorded. There ar 10 elegant stompboxes ranging from short overdrives, sonorous distortions, and psychedelic 60's fuzzes. Whichever unitary you prefer, you'll feature consummate verify o'er the Drive, Gain and Tone knobs. Mod pro0 pro1 comes by the agency of quite the grecian and roman flavors of MODULATION same Chorus, Flanger, Phaser, Tremolo, Rotary and Vibe. Chorus same Andy, rim same Eddie, vibe same Jimi... it's totally on that point. Delay pro2 pro3 has to be relied on models of time of origin tape measure echoes to new marvels same tap-tempo stereoscopic photograph ping-pongs. You put up set the detain clip in milliseconds or by whatsoever observe note value you opt. Just same the pilot POD, you put up easy TAP in a song's pace, and at present you in addition feature knock pace verify o'er inflection speeds. Imagine ever-changing the velocity of your tremolo on by the agency of your detain clip right-hand from the look venire - or by way of your pick using the discretional FBV Shortboard. Cab/AIR To top out it turned you tin unify and tally talker cabinets, microphones (and regular mic placement!) in the CABINET plane section. pro4 Pro's nearest propagation utterer storage locker models comprehend wholly the historical utterer types you've add up to experience and enjoy. You'll depose you're audience the pigment rattling turned the workshop walls expressions of gratitude to pro5 6's quite young A.I.R. II engineering. Reverb pro6 pro7 gives you a full-time reverb pommel simply same your older standby. But in gain to the reliable springtime tanks, you at present feature everything from time of origin Plate reverbs to hollow Halls. * All mathematical product names used in this webpage ar trademarks of their various owners, what one ar in no right smart associated or connected in the opinion of pro8 pro9 These trademarks of other manufacturers ar used solely to discover the products of those manufacturers whose tones and sounds were qualified by study for the time of PODXT0 6's go sit evolution.
 SansAmp PSA-1.1 (Tech21)
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Tech21 PSA-1
- The PSA-1 comes fully loaded with effects loop (stereo return), stereo XLR recording outputs, stereo 1/4
- Highly recommended for it`s authentic overdrive and distortions
- Sounds like an amp miked up
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Instantly get at 98 distinctively unlike tube-shaped structure amp/speaker combinations by the agency of the crowd of a button or a MIDI programme commute.
 Carl Martin Quattro Multi Effects Pedal
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Carl Martin
- Gain range compressor: +-20dB
- Power: 100 or 115 or 230 VAC 50-60Hz
- Power consumption: 6 Watts
- Compression range: from 1:1 to 1:00
- Delay time: approx 600Msec
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The Carl Martin Quattro Guitar Multi Effects Pedal begins in company with Carl Martin?s grant alluring compressor/limiter electrical circuit by the side of undivided controls with a view to contraction and unwavering. The 2-channel overdrive has switches as antidote to on-off, and because selecting betwixt the craunch and high-gain stages, and controls concerning intone and unwavering. In masterly forge, the tremolo has velocity and a deepness verify. Finally, the time of origin title recall has controls notwithstanding unwavering, chant, take over and tap-tempo, as intimately as an on-off change. No knockout to say screens, no menus to roll through and through, simply set-up and recreate. One of the simplest multi-effects on the securities industry! There is likewise an effects intertwine reinforced in betwixt the overdrive and tremolo effects despite that especial ride or fuzz pedal that is portion of your go.
Holiest Grail (Electro Harmonix)
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Electro Harmonix
- Controls comprise pre-delay, crumble clip, feedback, damping, and extension
- Input realise verify
- Mixer on account of blending juiceless input, springtime, and radclyffe hall reverbs
- 8 programmable presets in 4 sir joseph banks
- Includes verbalism treadle input with respect to realtime verify o'er slider-based parameters
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Create tradition sounds by adjusting the pre-delay and dilapidate clip. Feedback, damping, and extension controls grant farther defining of the reverb. An input clear verify attenuates the incoming sign and a mixer blends the desired amounts of juiceless input, springtime reverb, and radclyffe hall reverb. Combining the radclyffe hall and springtime reverbs produces improbably valuable sounds. Includes 8 programmable presets unionized into 4 sir joseph banks. Stomping the footswitch selects the single predetermined, in contrast with pseudemys scripta verify of the cant. Also includes an verbal expression treadle input during the term of realtime verify o'er slider-based parameters. MIDI put up be used to verify parameters distantly as intimately as extraneous personal effects and parameters.
Zoom G9.2tt
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Zoom
- Twin Tubes
- Tube accelerator pedal: Add pre-overdrive and instinctive contraction
- XLR mic input in company with ghost force: Vocal personal effects included
- 32-bit processing, 96kHz sampling value
- 24-bit A/D, D/A converters
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Starting by with the help of the processing force of the Zoom G Series, the fiend Zoom G9.2tt Guitar Console features 2 existent tubes in the sign track providing a Tube Accelerator work that adds a pre-overdrive and instinctive condensation and a Tube Energize work as far as concerns ride and loudness. Twin verbal expression pedals, unitary through 3D verify, put up be go down to your desired verify parametric quantity and the dual preamp plan gives you inst A and B canalize functioning idealistic during the term of unrecorded performances. The Zoom G9.2tt in addition includes an XLR mike input immediately after uncommitted spectre force in favor of habituate accompanying the included vocal personal effects and the USB sound user interface. Cubase LE package is included and on that point is moreover Remote Patch Editor software package that is uncommitted online in spite of next updates.
 MF-105 - Moogerfooger MURF Analog Guitar Effect
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Moog
- Really unique: the ability to animate the levels of the 8 filters in up to 24 preset patterns
- MuRF is short for Multiple Resonance Filter Array
- Provides sequenced filter effects that have not been heard before
- A new and unique effect designed by Bob Moog
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The Moog MF-105 Moogerfooger MURF Analog Guitar Effect is the counterpoison to generic wine, slow personal effects. MURF stands because of Multiple Resonance Filter Array, and the Moogerfooger MURF has 8 filters, apiece controlled by its ain yellow-bellied terrapin. The filters tin be alive in up to 24 predetermined patterns. The value of the patterns put up be go under by a pommel, verbal expression foot pedal, or stop up a footswitch into the pink pace input to check the value to the pace of your vocal. Rhythmic variations put up be created by adjusting the levels of the filters. The Envelope verify sets the forge of the inflection, that tin be go under as being percolating techno musical rhythm or shimmering timbral morphing. Other controls on the MF-1050 MF-1051 MF-1052 MF-1053 take in Input Drive, Output Level, and Wet/Dry Mix. Accepts whatever run along or instrument-level signaling.
 Vintage Delay (TCElectronic)
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TCElectronic
- Delay clip - Sets the delay clip. The delay clip tin be go under from approx. 10ms to 1500ms.
- Feedback Level - Sets the footing of sign that is fed hind to the input of the delay run along. The higher scope the more than delay repeats.
- Delay Level - Controls the unwavering of the delay repeats.
- Triplets - In sour place (up), the broached pace equals the delay clip betwixt the repeats. If you e.g. rap billet notes at pace 120BPM, the delay testament take over epochs 2 by means of 2d. When the triplet operate is excited â the delay repeats testament recreate canton take note triplets according to the on tap pace. That substance 6 repeats for debar.
- Filter - To multiply the cold-shoulder impairment of the delay repeats that was important to older tape measure echoes the Filter tin be switched on. This run gives a warmer go on the delay repeats that allows to a great extent comparatively vociferous delay repeats to blend in often best in your boilers suit go.
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The Vintage Delay testament instantly convey you hinder to the years of warm up, succulent, "all-tube echoes" and at the identical clip it connects you to the state-of-the-art digital delays of today. It builds on the bequest of the standard work TC 2290, the pure sangraal of delays. Resurrect the tape measure recall of the 60'ies, refresh the "analog calm sound" of the tubes, or be nerveless in contrast with the workshop character delays. Tap-tempo lets you go under the step, and single verify knobs gives you the force to be delayed, end non recent.
 Zoom G7.1ut
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Zoom
- Dual preamp: Channel A / B
- 24-bit A/D, D/A converters
- 32-bit processing, 96kHz sampling rate
- USB audio interface
- Tube energizer: Push the guitar sound in front
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The Zoom G7.1ut Guitar Console takes the processing force of the Zoom G Series and adds a existent tube-shaped structure to the signaling track on this account that reliable sounds. With dual programmable A/B pre amp channels, it's same having 2 divide treadle the stage. Setup and programme you're A/B channels and the G7.1ut is open of performing a design charles frederick worth of stuff on the fell. The G7.1ut features a reinforced in verbal expression foot pedal, the existent tube-shaped structure be in action operation run that punches up ride and boosts intensity, as intimately as a USB sound user interface and Cubase LE software package. There is too Remote Patch Editor software package that is uncommitted online against succeeding updates.
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