The 1969 Mercenary Edition evolved from a quislingism betwixt 2 of the sound industry's to the highest degree constituted names, Drawmer (UK) and Mercenary Audio (USA). When Ivor Drawmer rosaceous to the dispute of vocal US producer/engineer Fletcher' of Mercenary Audio to establish a extraordinary variant of the famed Drawmer 1960 (used by Eric Clapton, Madonna, Sheryl Crow, Stevie Wonder, Bryan Adams and thousands of artists on every side of the domain) - the couple sides united forces and the 1969 Mercenary Edition was born!Based on Drawmer's pilot 1960 Mic Pre-Amp/Tube Compressor (itself inspired by the standard work Fairchild 670), the 1969 offers a boniface of young features, and more than imposingly - a completely young sound!Retaining the construct of parallel mic pre-amps, the 1969 uses Burr-Brown' op amps conducive to a silkier go - and a Phase Reverse shift uncommitted in Instrument, Mic and Line modes increases versatility. The Drawmer0 employs lawful Stereo Link performance in company with canalise one's Threshold, Attack and Release controls seemly get the hang to the pair channels. Stereo Link too offers a BIG place that retains deep frequencies by rolling turned the sensing sign at 100Hz minimizing unsuitable pumping for the time of condensation. Output Gain make-up put up be severally controlled on for each one channel._The Drawmer1 Mercenary Edition incorporates young tube-shaped structure circuits intentional to append warmness to mic/line signals, and the instrumentate (DI) pre-amp has its ain tube-shaped structure present enabling classic...

Audio professionals ardent astir their compressors paul revere the LA-2A. The pilot was forthwith acknowledged on this account that its instinctive contraction characteristics. A sole electro-optical attenuator scheme allows instant make reducing upon no increment in sympathetic deformation - an achievement at the clip, noneffervescent comprehended today. Universal Audio at present announces the renascence of the Teletronix LA-2A, a Universal Audio Classics mathematical product. It features 40 dB take in limiting, balanced stereoscopic photograph interconnectedness, and low-toned disturbance - to a lesser extent than 70 dB infra +10 dBm production. Controls ar realize, summit reducing and m selector switch, and connections ar Jones Barrier terminals and XLR connectors. Features:True to the pilot in plan, manufacturing, and performanceLag liberal, deformation loose optical attenuator systemDistortion to a lesser extent than 0.5% THD0 to 40 dB pull in limitingBalanced stereoscopic picture interconnectionFrequency reply 1 dB, 30 to 15,000 cpsOutput unwavering of 10 dBm and 40 dB gainLow interference - to a lesser extent than 70 dB infra +10 dBm yield

Finally, a lawful stereoscopic photograph 1176! With o'er 2000 units even now sold to date stamp after the yr 2000 re-birth of Universal Audio's 1176LN, it is open the public's enjoy liaison upon the fictitious go of the 1176 is noneffervescent as impulsive as ever.The 2-1176 builds from the electric circuit plan of UA's hugely happy 6176 Channel Strip and combines ii 1176 channels from that unit-- an inflexible plan, accompanying wholly the degree components- stereoscopic photograph matched to boot!With the free of the 2-1176, we at one time over again set that go into your wheel further upon two times the chant, two times the type and two times the compression-- at an unbelievable damage, and moiety the blank. As you would await from UA, it in addition retains altogether the features and trademark go of its root, and switches easy betwixt dual monophonic and stereoscopic photograph nexus. And yes-it does All-Button!Features:Sound and Features of the Original 1176LN Classic Custom 1176LN Output Transformers Stereo or Dual Mono Operation Totally Independent Compression and Gain Controls in Dual Mono Mode Matched FETs and Output Transformers Rack Space Convenience of Two 1176s in a 2U Rack DesignSpecifications:Input Impedance: Selectable, 15k W or 600 W Output Load Impedance: 600 ohms, natation External Connections: XLR connectors Frequency Response: ± 1 dB 20 Hz to 20kHz Gain: 40 dB, +/- 1dB Distortion: <0.5% 1.1 T.H.D. limiting, dBm)

The Empirical Labs EL-7 FATSO is a new digitally controlled analog twist that offers frequent of the "musical non-linearityâs" exhibited by the older tube-shaped structure, division A distinct, and magnetized tape mediums. This ii canalize sound processor testament musically incorporate frequencies and transients and increment the seeming loudness exclusively of literal growth in tip levels. In gain, 2 channels of remarkable Empirical Labs contraction ar on these terms. There ar distinct compressor "types" in contrast with set attacks and releases (if you need a to the full governable compressor, you testament demand the Empirical Labs EL-8 Distressor!). Users tin heighten & quiet the go of mediums so as modular digital multitracks (MDMâs), HD recorders, DAT recorders, RAM Recorders etc. Mixdown engineers testament feature an alternative non to habituate massy, high-priced analog tape recorders to acquire the warmness and henry sweet high-pitched terminate theyâve add up to rely on on this account that so manifold decades. Owners of Adats, MDMâs, RAM and new severe saucer recorders put up eventually lay a block to complaints astir the "coldness" and "brittle edge" of their mixes and instruments by with the help of the "rounded" and "musically non elongate elements" of time of origin analog. Finally, audiophiles tin convey hinder the warmness and ambience of LPâs and tapes to their CD players and other digital reproductive memory mediums.

The archetype Universal Audio 1176LN intentional by Bill Putnam was a john roy major breakthrough in limiter engineering - the 1st lawful crown limiter accompanying totality transistor circuitry sacrifice higher-up public presentation and a theme song go. Evolved from the pop Universal Audio 175 and 176 vacuum-clean tube-shaped structure limiters, the 1176LN maintained the proven qualities of these manufacture leaders, and go down the received during altogether limiters to come after.

The DPR-504 is a 4-channel noise gate. Each channel features: A parametric francis scott key filtrate by the side of francis scott key strain hearing.

Maximum pull in out of deformation. Whether on the job in the analog or digital land, its whatsoever we altogether strain in the place of. The easiest and charles herbert best sonorous right smart to acquire it? Aphex' unbelievable Dominator II multi-band limiter. See, Aphex took a variant draw near in the opinion of the Dominator - their end was 1st and frontmost unbelievable SOUND QUALITY (what a concept!). Other manufacturers befool on every side of in contrast with their digital this and that, seem in the lead schemes, and other hoodooism tricks to endeavor to effect in part Aphex has been providing total on - effectual unwavering verify, only in contrast with the unitary lifeless substance quite the other systems strike one as being to lack: Undeniably porous, punchy sound character. Not subsidence with a view to simply stopping peaks, the Dominator uses controlled, instant musical theater cutting to verify peaks, spell noneffervescent letting you increment the mediocre unwavering of your amalgamate. This adds perforate and force, if it be not that establishes a multi-band brickwall circumscribe. In little, the Dominator lets you crowd your levels to their right-down upper limit, in the opinion of NO DISTORTION or disconfirming artifacts. Your commix is plainly as obstreperous as it tin be, by means of no worries astir surcharge! Broadcasters, studios, mastering labs and other sound professionals whole feature elect the Dominator, and if you need the BEST limiter uncommitted, you testament in addition!

The DS404 Quad Noise Gate has been intentional to the highest spec to full complement the DS201 Dual Noise Gate, acknowledged as the manufacture received gate end-to-end the domain. Recognizing that on that point ar multiplied superior general gating applications what one demand furniture that is unsubdivided to run and that occupies the lower limit of wheel blank, Drawmer intentional the DS404 Quad Quad0 Quad1 utilizing young and unmatched Program Adaptive circuitry. This makes the Quad2 ideally suited as antidote to habituate o'er a broad run of input signals, ranging from drums and other percussive instruments through and through to vocals, pianos and regular consummate mixes. Facilities uncommitted on the Quad3 include:Frequency Sensitive. The purvey of variable quantity Low-Pass and High-Pass Filters allows independently of via media oftenness selective gating. The building block put up be switched on this account that any one Internal or External Key germ and the KEY LISTEN readiness enables monitoring of the separate out setting.Hard/Soft Gating. Each canalize of the Quad4 tin be operated as a HARD or SOFT Quad5 providing quite an diverse characteristics. Two coloured LEDs clear suggest musical mode status._In the HARD musical mode the Quad6 offers ultra-fast rejoinder clip, stalls triggering immediately after consummate exemption from restraint from click right and left limen and a specialised resign contour line that is ideally suited to drums and other percussive material._In the SOFT musical mode the Quad7 becomes a various Expander subject of manipulation vocals and sub mixes....

Classic genu go Delivered in the opinion of new disturbance specs in an abiding, digitally-controlled, single-height package. Really grabs. Programmable analog distortion/warmth Helpful in the primitive on the contrary stony-hearted digital domain. Three sound modes bring home the bacon user programmable, warm up sympathetic deformation. Emphasized tube-like 2nd sympathetic in clear and Distort 2 musical mode. In Distort 3 musical mode the deformation becomes henpecked by 3rd sympathetic (similar to tape). Distortion indicator lungs A 1% LED and a "Redline" (3%) LED. No knockout press clipping point a hardly any dB retiring "Redline." Advanced inherent sidechain EQ High mid-band accent prevents rough, highly strung guitars or vocals from hurting ingenuous ears. Low emasculated keeps the low-toned "sum & difference" frequencies from pumping the upper frequencies of germ stuff. Eight sole curves From the 1:1 musical mode that merely warms up sign through low-order harmonics destitute of knowing condensation, to the "Nuke" background - a brick fence in limiting curved shape that shines on unrecorded beat elbow room mics. Each curved shape has its ain personal criticism and relinquish form. Most exceptive is the 10:1 "Opto" proportion that uses divide circuitry to compete with the oldest (and to the highest degree precious) "light-controlled" devices, like as the LA2A. Manual provides consummate scope instructions in quest of emulating other compressors of older. Its same acquisition exclusive totally contrasted compressors in unitary. Discrete and structured combining The c. h. best of speed/linearity by with the help of repeatability. Hand tried & selected components.

The Mackie Quad Comp/Gate is intentional instead of world-class go according to 4 channels of sturdy digital condensation and gating. Its compression/limiting and gating/expansion algorithms were written by the gurus at Acuma Labs to bring home the bacon a really broad run of high-quality, instantly usable settings. With 99 user-definable snapshots in the place of vocation up, allege, a favourite deep or vocal condensation go, the Quad Comp/Gate makes it often easier to acquire consistently immobile, great-sounding mixes than analog compressor/gates.The Quad Comp/Gate's inherent Key Filtering go provides main gating and condensation based on an adjustable triggering frequence, and features a suited Key Listen so you put up easy telephone dial in and supervise the definite run of frequencies piece you're in the mingle. A Side Chain input allows triggering the compression/gating using extraneous signals. And the Quad Comp/Gate's "Auto" feature film senses input transients to automatically set assail and resign ages - eliminating the "pumping" effectuate associated immediately after condensation triggering.Of trend, not any of the Quad Comp/Gate's bells and whistles would thing against unrecorded go engineers if it wasn't astonishingly immobile to habituate. So the look venire is by intuition set come out in the opinion of ultrabright 12-segment metering, multicolor backlit buttons and 9 backlit push-button knobs in the opinion of LED collars to suggest settings from a roman mile outside. You absolutely press out the channel(s) you care to...